Poltronova

The Dream Factory.

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★ WHAT HAPPENS WHEN THE OBJECT BREAKS OUT?

In 2024, HYPER POLTRONOVA marked Poltronova’s return to @isaloniofficial after thirty years — not simply by bringing more than twenty pieces from the Poltronova collection to Rho Fiera Milano, but by allowing their visual language to take over the space itself.
Designed by Art Director Donatello D’Angelo, the installation looked back to L’invenzione della superficie neutra, the 1972 exhibition involving several protagonists of the experimental Italian design scene, and transformed that reference into something deliberately excessive, immersive and hyper-contemporary.
Patterns, geometries, colours and graphic elements belonging to the Poltronova collection escaped from the objects that generated them.
Three-dimensional forms became two-dimensional surfaces.
Surfaces became patterns.
Patterns became architecture.
The result was a heterogeneous “neutral” surface in which different identities could coexist without being neutralised: an environment where furniture, graphics and space continuously contaminated one another.
Within it, more than twenty works by Archizoom Associati, Lapo Binazzi, Nigel Coates, De Pas, D’Urbino, Lomazzi, Gianni Pettena, Franco Raggi, Ettore Sottsass jr., Superstudio, Lella and Massimo Vignelli emerged and disappeared into the installation.

Art Direction — Donatello D’Angelo @donutsinho / @d_apostrophe
Photography — Serena Eller @serenaeller / @ellerstudio

POLTRONOVA — UN—CONVENTIONAL FURNITURE.

Poltronova, Hyper Poltronova, Centro Studi Poltronova, Salone del Mobile Milano, Milano Design Week, Italian design, Radical Design, experimental design, furniture design, Ettore Sottsass, Archizoom Associati, Superstudio, Ultrafragola, Superonda, Safari, Mies, Rumble, Canton, Florence design, 1960s design, 1970s design, collectible design.

#Poltronova #DesignExhibition #ItalianDesign #ItalianDesign #Furniture
✱ HAVE YOU EVER HEARD OF RADICAL DESIGN?

On December 4, 1966, inside the small Galleria Jolly 2 in Pistoia, a group of young architects from Florence’s experimental architectural scene came together for an exhibition called Superarchitettura — around the newly founded Archizoom Associati and the emerging Superstudio.

It would become one of the foundational moments of Italian Radical Design.

The date matters. Exactly one month earlier, on November 4, 1966, Florence had been devastated by the great flood. Against this extraordinary backdrop, a new generation was beginning to question the cultural, architectural and social models it had inherited.

Superarchitettura brought Pop imagery, mass production, consumption, colour and parody into architecture. Its manifesto spoke of “superproduction, superconsumption, the supermarket, the superman and super petrol”: design was no longer simply about function, but a way of questioning the world around it.

In 2007, for Poltronova’s 50th anniversary, Centro Studi Poltronova faithfully reconstructed the historic exhibition, working from archival documentation and in dialogue with the knowledge surrounding its original protagonists.

1966 — the original exhibition.
2007 — its reconstruction.
2026 — Superarchitettura returns to Milan.

Today, it can be experienced again within Andrea Branzi by Toyo Ito. Continuous Present at Triennale Milano, conceived and designed by Toyo Ito.

If you’re in Milan, go and see it in person.

✱ @triennalemilano 
Until October 4, 2026

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Visual references / credits
Centro Studi Poltronova archive
Galleria Carla Sozzani / Fondazione Sozzani — Superarchitettura, Milan, 2007
MAXXI — SUPERSTUDIO 50, Rome, 2016
Triennale Milano — Andrea Branzi by Toyo Ito. Continuous Present, Milan, 2026
MAXXI installation photography: Musacchio & Ianniello
Triennale Milano installation photography: Andrea Rossetti

#Poltronova #Superarchitettura #ArchizoomAssociati #Superstudio #RadicalDesign